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The European avant-garde art movement was active from 1948 to 1951.

THE LAST DAYS OF THE OPERA, edited by Denise Wendel-Poray, Gert Korentschnig, Christian Kircher, is the major anthology on opera edited by leading specialists in the field.

A monograph focussing on Kasten’s investigations into how moving images and perception play within and through architectural forms.

Tell Me What You Remember is the most substantial US presentation of each artist to date, and marks the first time their work has been shown together.

Mira Lehr was an art pioneer, celebrated as “The Godmother of Miami’s Art Scene.” Her life, legacy, and groundbreaking artwork will continue to inspire us.

200 reproductions of the artist’s sculptures to explore his production

The Martha H. and J. Speed Carroll Collection, Skira editore, and Sarah King of SNAP Editions are pleased to invite you to the book launch of OPENNESS and IDEALISM: Soviet Posters: 1985-1991.

Donna Stein’s memoir The Empress and I is a tale of two women who crossed paths and became united in a vision to make the Tehran Museum of Contemporary Art (TMoCA, est. 1977) one of the most prominent collections of Modern Art in the world.

New York: 1962-1964 explores a pivotal three-year period in the history of art and culture in New York City, examining how artists living and working in New York responded to their rapidly changing world.

Fulvio Roiter’s New York: A visual presentation by Victoria Noel-Johnson

Re/Form is an ambitious new monograph of the Canadian artist Brendan Fernandes.

A History of hospitality, architecture and guests From the first pages, we are immersed into the history of the creation of Fairmont.

Conference by Denise Wendel-Poray, on painting and scene, based on the book Painting the Stage: Artists as Stage Designers

The exhibition Metamorphosis of Plants offers an immersion into woods, deserts and forests through the eyes of Austrian artist Sofia Goscinski and Mexican photographer Adrian Burns.

With his camera Egon witnessed what was going on in the art world but not from an institutional angle, capturing the facade, but immortalizing the spirit that made art and artists thrive.